I
turned the corner. At my approach,
Balzac,
you rose before me like a ghost
of
unquiet conscience—as in a slow
up-pouring of volcanic force
arrested
in the stillness of this place
to
stand as if blasted by God’s eye of wrath
and
weathered into desert stone
like
Lot’s wife at her turning back
toward
the destruction of her city.
I
stopped, astounded by
your
gouged eyes, staring forever,
the stumps of your severed hands—
signs of the immortal martyrdom
signs of the immortal martyrdom
awarded
by an implacable art
for
having gazed too long at the obscene
spectacle
of our stupidity.
—Thus
the sentence. But on whom,
you
or us, has the judgment come?
The
answer, if there is one, bides
within
the sunlight and torrential
silence
that clothe you.
And
in your keeping still your vigil
over
this old French city of small souls.
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