Thursday, April 18, 2024
Friday, April 12, 2024
THAT’S WHY
For Gilbert
“… That’s why we are put on earth—
to be in love,” you said,
in one of our first conversations.
Not knowing you then,
I didn’t understand….
Now, of course, I do.
_____________________________
http://gaypapistfiles. wordpress.com/2011
Sunday, April 7, 2024
A SOUTHERN UNIVERSITY circa 1960
For Richard, dead these thirty years;
and for Emory, who never
knew
Under the aegis of the
Lyceum,
with its always freshly
white-washed columns,
lantern, and
lilac-painted clock
that shows that, apparently, time has stopped,
They come (whose great-granddaddies whooped,
spurring their horses
through the hallowed portals)
and pose beneath the trees,
dusty and beautiful.
White thighs flashing on the
Green expose,
to other eyes than those of
love,
Olympian splendor in the
grass, almost
a nude Déjeuner dans le Grove.
“Isn’t this just like living
in a magazine?”
said my friend Emory one day,
from the venerable School of
Law’s
high portico, and I agreed. . . .
Into the seventeenth century
the Parthenon survived intact
until, in one of the Med’s
interminable wars,
a mortar bomb soared through the air and crashed
into that most unstable of
charges, black
powder, they had stockpiled there,
and the Pan-Athenaic chivalry
of Greek youth
blew everywhere.
Well, they say
nothing is staler than last
week’s news,
and even this generation will
pass away.
http://nbmaa.wordpress.com/2010/04/27/reinterpreted-artworks-le-dejeuner-sur-l%E2%80%99herbe-by-edouard-manet/
http://www.ebay.com/itm/Shirtless-Male-College-Student-Shorts-Laying-Down-on-Grass-PHOTO-PINUP-4X6-P720-/400691477845
https://aristotleguide.wordpress.com/2012/10/17/blowing-up-the-parthenon/
https://aristotleguide.wordpress.com/2012/10/12/the-destruction-of-the-parthenon/
Note:
The line “Olympian splendor in the grass” fuses a number of things. “Olympian” (as in the Greek gods on Mount Olympus) alludes to both the privileged jocks, who harbor aspirations to win in the Olympic Games, and the fraternity boys (“Greeks”)—the campus gods who require that their superiority be admired, envied, and deferred to by the lower orders. But it alludes as well to the nude in Manet’s hedonistic “Déjeuner sur l’herbe,” which portrays the nude body of Manet’s then-mistress, who was also the model for the nude courtesan in his painting “Olympia.” Here the emphasis is on the flaunting of beautiful bodies. The phrase “splendor in the grass” is one of the images used by Wordsworth in his “Ode: Intimations of Immortality” to express the luminous world of childhood and youth (of which this university is one example) that is destroyed by time. It also alludes to the movie (starring Natalie Wood and Warren Beatty) that has the same theme, and the same phrase as its title.
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